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CogSci_Bachelor_Thesis.bbl
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\field{abstract}{Abstract Successful human interaction relies on people's ability to differentiate between the sensory consequences of their own and others' actions. Research in solo action contexts has identified sensory attenuation, that is, the selective perceptual or neural dampening of the sensory consequences of self-produced actions, as a potential marker of the distinction between self- and externally produced sensory consequences. However, very little research has examined whether sensory attenuation distinguishes self- from partner-produced sensory consequences in joint action contexts. The current study examined whether sensory attenuation of the auditory N1 or P2 ERPs distinguishes self- from partner-produced tones when pairs of people coordinate their actions to produce tone sequences that match a metronome pace. We did not find evidence of auditory N1 attenuation for either self- or partner-produced tones. Instead, the auditory P2 was attenuated for self-produced tones compared to partner-produced tones within the joint action. These findings indicate that self-specific attenuation of the auditory P2 differentiates the sensory consequences of one's own from others' actions during joint action. These findings also corroborate recent evidence that N1 attenuation may be driven by general rather than action-specific processes and support a recently proposed functional dissociation between auditory N1 and P2 attenuation.}
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\field{journaltitle}{Journal of Cognitive Neuroscience}
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\field{month}{10}
\field{number}{11}
\field{title}{Sensory {{Attenuation}} of the {{Auditory P2 Differentiates Self-}} from {{Partner-Produced Sounds}} during {{Joint Action}}}
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\field{urlmonth}{12}
\field{urlyear}{2022}
\field{volume}{33}
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\field{issn}{1939-1471, 0033-295X}
\field{journaltitle}{Psychological Review}
\field{langid}{english}
\field{number}{3}
\field{shortjournal}{Psychological Review}
\field{title}{Conflict Monitoring and Cognitive Control.}
\field{urlday}{19}
\field{urlmonth}{12}
\field{urlyear}{2022}
\field{volume}{108}
\field{year}{2001}
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\field{pages}{624\bibrangedash 652}
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\verb 10.1037/0033-295X.108.3.624
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\entry{brockIfMotionSounds2012}{article}{}
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family={Schmitz},
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family={Baumann},
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family={Effenberg},
familyi={E\bibinitperiod},
given={Alfred\bibnamedelima O.},
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\field{abstract}{Within last years, movement sonification turned out to be an appropriate support for motor perception and motor control that can display physical motion in a very rich and direct way. But how should movement sonification be configured to support motor learning? The appropriate selection of movement parameters and their transformation into characteristic motion features is essential for an auditory display to become effective. In this paper, we introduce a real-time sonification framework for all common MIDI environments based on acceleration and orientation data from inertial sensors. Fundamental processing steps to transform motion information into meaningful sound will be discussed. The proposed framework of inertial motion capturing, kinematic parameter selection and possible kinematic acoustic mapping provides a basis for mobile real-time movement sonification which is a prospective powerful training tool for rehabilitation and sports and offers a broad variety of application possibilities.}
\field{issn}{18777058}
\field{journaltitle}{Procedia Engineering}
\field{langid}{english}
\field{shortjournal}{Procedia Engineering}
\field{shorttitle}{If Motion Sounds}
\field{title}{If Motion Sounds: {{Movement}} Sonification Based on Inertial Sensor Data}
\field{urlday}{1}
\field{urlmonth}{9}
\field{urlyear}{2022}
\field{volume}{34}
\field{year}{2012}
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\field{urldateera}{ce}
\field{pages}{556\bibrangedash 561}
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\verb https://linkinghub.elsevier.com/retrieve/pii/S1877705812017080
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\entry{calvo-merinoActionObservationAcquired2005}{article}{}
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family={Calvo-Merino},
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family={Glaser},
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{{un=0,uniquepart=base,hash=760b3e002a87e8d61ae2cf658c39358b}{%
family={Grèzes},
familyi={G\bibinitperiod},
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{{un=0,uniquepart=base,hash=e544ad94eb7225fe6fed16134184dd2c}{%
family={Passingham},
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family={Haggard},
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\field{issn}{1460-2199, 1047-3211}
\field{journaltitle}{Cerebral Cortex}
\field{langid}{english}
\field{month}{8}
\field{number}{8}
\field{shorttitle}{Action {{Observation}} and {{Acquired Motor Skills}}}
\field{title}{Action {{Observation}} and {{Acquired Motor Skills}}: {{An fMRI Study}} with {{Expert Dancers}}}
\field{urlday}{22}
\field{urlmonth}{12}
\field{urlyear}{2022}
\field{volume}{15}
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\entry{carlilePerceptionAuditoryMotion2016}{article}{}
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family={Carlile},
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family={Leung},
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}
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\field{abstract}{The growing availability of efficient and relatively inexpensive virtual auditory display technology has provided new research platforms to explore the perception of auditory motion. At the same time, deployment of these technologies in command and control as well as in entertainment roles is generating an increasing need to better understand the complex processes underlying auditory motion perception. This is a particularly challenging processing feat because it involves the rapid deconvolution of the relative change in the locations of sound sources produced by rotational and translations of the head in space (self-motion) to enable the perception of actual source motion. The fact that we perceive our auditory world to be stable despite almost continual movement of the head demonstrates the efficiency and effectiveness of this process. This review examines the acoustical basis of auditory motion perception and a wide range of psychophysical, electrophysiological, and cortical imaging studies that have probed the limits and possible mechanisms underlying this perception.}
\field{day}{1}
\field{issn}{2331-2165, 2331-2165}
\field{journaltitle}{Trends in Hearing}
\field{langid}{english}
\field{month}{1}
\field{shortjournal}{Trends in Hearing}
\field{title}{The {{Perception}} of {{Auditory Motion}}}
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\field{urlmonth}{2}
\field{urlyear}{2023}
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\entry{clarkCoordinatingEachOther2005}{article}{}
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\field{abstract}{In everyday joint activities, people coordinate with each other by means not only of linguistic signals, but also of material signals – signals in which they indicate things by deploying material objects, locations, or actions around them. Material signals fall into two main classes: directing-to and placing-for. In directing-to, people request addressees to direct their attention to objects, events, or themselves. In placing-for, people place objects, actions, or themselves in special sites for addressees to interpret. Both classes have many subtypes. Features of material signals were examined in pairs of people who were videotaped as they assembled TV stands, built Lego models, planned furnishings for a house, played piano duets, or bought coffee at Starbucks. In these activities, the pointing and placements were often sustained, creating three phases of signals – initiation, maintenance, and termination – each with its own interpretation.}
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\field{month}{10}
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\field{shortjournal}{Discourse Studies}
\field{title}{Coordinating with Each Other in a Material World}
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\entry{debashiSonificationNetworkTraffic2018}{article}{}
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\field{month}{4}
\field{number}{4}
\field{shortjournal}{PLoS ONE}
\field{title}{Sonification of Network Traffic Flow for Monitoring and Situational Awareness}
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\field{urlmonth}{2}
\field{urlyear}{2023}
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\field{title}{Details - {{Public Health Image Library}}({{PHIL}})}
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\field{year}{1963}
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family={Froese},
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\field{journaltitle}{Human Movement Science}
\field{langid}{english}
\field{month}{10}
\field{shortjournal}{Human Movement Science}
\field{shorttitle}{Entraining Chaotic Dynamics}
\field{title}{Entraining Chaotic Dynamics: {{A}} Novel Movement Sonification Paradigm Could Promote Generalization}
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\field{journaltitle}{Journal on Multimodal User Interfaces}
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\field{month}{5}
\field{number}{3-4}
\field{shortjournal}{J Multimodal User Interfaces}
\field{title}{Evaluation of Four Models for the Sonification of Elite Rowing}
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\field{pages}{143\bibrangedash 156}
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\entry{dubusInteractiveSonificationMotion2013}{article}{}
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{KTH Royal Institute of Technology}%
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\field{abstract}{DiVA portal is a finding tool for research publications and student theses written at the following 50 universities and research institutions.}
\field{langid}{english}
\field{shorttitle}{Interactive Sonification of Motion}
\field{title}{Interactive Sonification of Motion : {{Design}}, Implementation and Control of Expressive Auditory Feedback with Mobile Devices}
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\entry{dubusSonificationPhysicalQuantities2011}{article}{}
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\field{abstract}{We introduce a meta-study of previous sonification designs taking physical quantities as input data. The aim is to build a solid foundation for future sonification works so that auditory display researchers would be able to take benefit from former studies, avoiding to start from scratch when beginning new sonification projects. This work is at an early stage and the objective of this paper is rather to introduce the methodology than to come to definitive conclusions. After a historical introduction, we explain how to collect a large amount of articles and extract useful information about mapping strategies. Then, we present the physical quantities grouped according to conceptual dimensions, as well as the sound parameters used in sonification designs and we summarize the current state of the study by listing the couplings extracted from the article database. A total of 54 articles have been examined for the present article. Finally, a preliminary analysis of the results is performed.}
\field{journaltitle}{International Conference on Auditory Display, 2011}
\field{langid}{english}
\field{month}{6}
\field{title}{Sonification of {{Physical Quantities Throughout History}}: {{A Meta-Study}} of {{Previous Mapping Strategies}}}
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